A sample of his work:
Hoyt began moving his lips as if he were trying to suck the ice cream off the top of a cone without using his teeth. She tried to make her lips move in sync with his. The next thing she knew, Hoyt had put his hand sort of under her thigh and hoisted her leg up over his thigh. What was she to do? Was this the point she should say, "Stop!"? No, she shouldn't put it that way. It would be much cooler to say, "No, Hoyt," in an even voice, the way you would talk to a dog that insists on begging at the table.
Slither slither slither slither went the tongue, but the hand that was what she tried to concentrate on, the hand, since it has the entire terrain of her torso to explore and not just the otorhinolaryngological caverns - oh God, it was not just at the border where the flesh of the breast joins the pectoral sheath of the chest - no, the hand was cupping her entire right - Now! She must say "No, Hoyt" and talk to him like a dog. . .
. . . the fingers went under the elastic of the panties moan moan moan moan moan went Hoyt as he slithered slithered slithered slithered and caress caress caress caress went the fingers until they must be only eighths of inches from the border of her public hair - what's that! - Her panties were so wet down. . . there - the fingers had definitely reached the outer stand of the field of pubic hair and would soon plunge into the wet mess that was waiting right. . . there-there-
The Other Nominees:
Andre Brink's "Before I Forget"
. . . the most tousled, tangled pubic patch through which I have ever had to find my way. A near impenetrable little forest, a small private Amazon to get lost in. But when one finally got down to the river, slipping and sliding through reeds and weeds and rushes and undergrowth, one could slither through the mud and dive in, wholly immerse oneself, stay down for an impossibly long time, nearly drowning, before coming up again, panting and heaving. . .
Snobs by Julian Fellowes:
Still without a word he turned back to her, the same furious intensity in his face, and, avoiding direct eye contact, he started to kiss her while he planted his right hand against her vagina. Once it was in place, he began to massage her with a kind of dry pumping action, which reminded her of someone blowing up a lilo. She groaned a bit by way of encouragement. He didn't seem to need more as suddenly he heaved himself over between her legs, fumbled himself into her, thrust away a few times - no more than six at the outside - and then, with a terrific gasp to tell her that it was now (which she countered with some cries and pants of her own), he collapsed on top of her. The whole business, from the moment he folded the paper, had taken perhaps eight minutes
The Food of Love by Anthony Capella
She felt strange and wild. Her body was just a collection of organs. She was blood and plumbing, like any other creature, and there was nothing that was forbidden about any of it. She gnawed on Tomasso ravenously, like an animal plundering a carcass, and when she had had enough of that she swung her leg over him, like a rider swinging into a saddle, and galloped.
She was riding naked on a big horse, among a pack of hunting wolves, at night. The flanks of the horse were slippery with foam. She could sense something in the distance, some small animal which was desperately trying to escape the pack, but they were getting closer to it every second. The wolves could sense it, too, and increased their pace. She galloped faster, urging her mount on with little cries and squeezes of her thighs. Closer and closer they got to their quarry. Now there was a jump ahead, a vast wall rushing towards her, but it was too late to stop. She dug her nails in hard and held on for dear life. As she finally took off into the air, she arched her back and shouted. The animal was screaming, too, as the wolves finally caught it and tore it apart, ripping its soft pajate open with their sharp teeth, devouring the coratella and the bloody bright red heart.
Other examples at the Guardian